Bocal aux poissons rouges — Documentary Film (1897)
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
🇱🇰 VIP / Sinhala Players (Try these for local movies):
💡 If one server doesn't work, click another.
More documentary films you might enjoy.
